-- card: 5020 from stack: in -- bmap block id: 19946 -- flags: 4000 -- background id: 2748 -- name: Heart of Darkness note -- part 1 (field) -- low flags: 00 -- high flags: 0000 -- rect: left=16 top=30 right=64 bottom=465 -- title width / last selected line: 0 -- icon id / first selected line: 0 / 0 -- text alignment: 0 -- font id: 3 -- text size: 12 -- style flags: 0 -- line height: 16 -- part name: -- part 2 (field) -- low flags: 00 -- high flags: 0000 -- rect: left=71 top=46 right=65 bottom=211 -- title width / last selected line: 0 -- icon id / first selected line: 0 / 0 -- text alignment: 0 -- font id: 3 -- text size: 12 -- style flags: 512 -- line height: 16 -- part name: -- part 3 (field) -- low flags: 00 -- high flags: 0000 -- rect: left=17 top=62 right=290 bottom=482 -- title width / last selected line: 0 -- icon id / first selected line: 0 / 0 -- text alignment: 0 -- font id: 3 -- text size: 12 -- style flags: 0 -- line height: 16 -- part name: -- part 14 (button) -- low flags: 00 -- high flags: 0000 -- rect: left=468 top=285 right=323 bottom=490 -- title width / last selected line: 0 -- icon id / first selected line: 0 / 0 -- text alignment: 1 -- font id: 0 -- text size: 12 -- style flags: 0 -- line height: 16 -- part name: * ----- HyperTalk script ----- on mouseUp go to card id 2864 end mouseUp -- part contents for card part 1 ----- text ----- A very complex relationship exists between "The Hollow Men" and Conrad's -- part contents for card part 2 ----- text ----- Heart of Darkness. -- part contents for card part 3 ----- text ----- Following Eliot's writing of "The Love Song of J. Alfred Prufrock" in 1910-1911, Conrad's short novel is arguably the second most important literary influence in Eliot's poetry, after Dante. Eliot once described Conrad's novel as an outstanding instance of the literary evocation of evil. Conrad's story is full of hollow men --empty of faith, of personality, of moral strength, of humanity. Marlow tells of his journey into a nightmare kingdom of death, the heart of darkness in the forests of the Congo, where he feels himself to have "stepped into the gloomy circle of some Inferno" and sees around him figures "in all the attitudes of pain, abandonment, and despair" ( see p. 26 in Bantam edition and pages 81-82 in Signet Classics) - [a scene which could come straight from Dante].